IFAM Artist Stories

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International Folk Art Market Artists

Asel Moldotasheva
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Asel Moldotasheva

Asel Moldotasheva is a jeweler based in Bishkek, Kyrgyzstan, working in the traditional metal jewelry practices of Kyrgyz nomadic culture. Her work centers on preserving and reconstructing techniques, forms, and symbols that have largely fallen out of everyday use and now survive mainly through museum collections, historical records, and oral knowledge.


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Geeta Jewellers
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Geeta Jewellers

Geeta Jewellers is a family-based jewelry practice from Rajasthan, India, rooted in desert communities where silver and gold adornment have long played a central role in daily life, ritual, and identity. The family traces its work across nine generations, with designs, techniques, and meanings passed down within the household rather than learned formally.

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Padmaja
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Padmaja

Padmaja is a textile and fashion label founded by designer Padmaja Krishnan, based in Mumbai and with more than two decades of experience working closely with weaving communities across India. Her practice sits at the intersection of contemporary design and deeply skilled handloom traditions, with a long-term commitment to endangered textiles that require both technical precision and sustained collaboration to survive.



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Bula Mats
Stacey Edgar Stacey Edgar

Bula Mats

Bula Mats is led by weaver Adi Vukivuki Tubuna, whose work marks the first time artisans from Fiji will be represented at the International Folk Art Market.


Adi was born and raised in a village where mat weaving was part of everyday life. From a young age, she learned from watching the women in her family and community, especially her grandmother, who taught her how to prepare and weave pandanus leaves. These skills were passed on through observation and practice, learned over time rather than through formal instruction.


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Hadithi Crafts Support CBO
Stacey Edgar Stacey Edgar

Hadithi Crafts Support CBO

Hadithi Crafts Support is a community-based organization working with women basket weavers across Taita Taveta County in southeastern Kenya. Since 2014, Hadithi has focused on generating reliable income for women in a semi-arid region where farming alone is often insufficient to sustain a household.

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Irvin, Lisa & Emily Trujillo - UNESCO Creative City 20th Anniversary Booth
2025, New Mexico, Textile - Carpets Guest User 2025, New Mexico, Textile - Carpets Guest User

Irvin, Lisa & Emily Trujillo - UNESCO Creative City 20th Anniversary Booth

Three generations of Chimayó weavers—Irvin, Lisa, and Emily Trujillo—carry forward the legacy of Rio Grande weaving at Centinela Traditional Arts. From natural dyes to modern interpretations of traditional designs, the Trujillo family keeps Northern New Mexico’s textile traditions vibrant, relevant, and rooted in community.

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Artesania Nagergiryai

Artesania Nagergiryai

Representing the Guna women of Panama, Artesania Nagergiryai upholds one of the world's most intricate and spiritually rich textile traditions—the mola. Each stitch is a testament to centuries of cultural heritage, where colorful layers of fabric form geometric patterns and nature-inspired motifs, telling stories passed down for generations.

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Mahalaxmi
2025, India, Women's Empowerment, 2D Art Diego Muñoz 2025, India, Women's Empowerment, 2D Art Diego Muñoz

Mahalaxmi

For Mahalaxmi Das, Madhubani painting is more than an art form—it is a lifeline, a voice, and a cultural legacy carried forward by the women of Ranti village in Bihar, India. Rooted in the centuries-old traditions of Mithila, her journey into this intricate painting form of folk art began in childhood when she first observed and learned from an elder in her neighborhood.

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